LECTURES
1998 “Dynamic User Input:
Interfacing Eye-Hand Behavior during Motion Sensing Capture”
School of Kinesiology, Simon Fraser University.
1996 “Performer Sensory and Respiratory Resources in
Spectral Acoustics” French National Superior Conservatory
Lyon, France
1995 “Real Time Performer’s Sensory Processing in
Interactive Media” University of Milan Computer Science
Dept. (Italy)
CONFERENCES
1999 “Roles of Physical
Feedback in Cognitive Awareness” Mind IV Conference
Cognitive Society of Ireland. Dublin, Ireland.
1999 “Overlay and Transparency as an Architecture for
Layout” AAAI Symposium on Layout (Accepted Abstract)
1998 “Performance Based Aspects of Visual Content” Out of
the Box: The Future of the Interface Conference. Banff,
Canada
1995 “Painting On Water: 3 Schematic Views On Performer
Vision” 5th Biennial Art Technology Symposium Connecticut
College
1995 2nd Intl. Conference on Acoustics and Musical
Research. Ferrara, Italy.
1994 “Performance & Real Time Systems” 14th Small
Computer Arts Network Conference Franklin Institute,
Philadelphia, PA
NEW MEDIA PROJECTS
1999 “Ascent and
the Grief Sanctuary” (3-D Multimedia) Sixth Sonic Circuits
Festival (Funding Oregon Arts Commission) Minneapolis
Science Museum.
1999 “Life Out of Balance” Website LEA-MIT Press/
Minneapolis Science Museum.
1998 “Casting A Shadow” Motion Tracking Project: New
Media Co-Production Banff Centre for the Arts, Canada
1998 “Survey of Visual Paradigms for New Media” Leonardo
Electronic Almanac Vol 6, No. 7 MIT-Press.
1997 Visual Paradigms for New Media and Motion Capture
1996 “Portrait Flute Technique Buzz” New Media Banff
Centre for the Arts, Canada
1995 “Performative Aspects of Visual Accompaniment and
New Media Design” Artist in Residency Senior Research Fellow
Carnegie Mellon University
1994 “Real-Time Interfacing Multimedia” Artist in
Residency Carnegie Mellon University
1995 “Unexpected Reflection” (Flute & Computer Music)
Spanish National Radio, Spanish Ministry of Culture, Spanish
Selection UNESCO Composers Tribunal.
1993 “Xenakis Letters” Postmodern Culture Journal Vol. 3
No. 3 Oxford University Press.
REVIEWS
Ted Warnell (1999) “Mapping
Mice” Zinen Journal
Glen English (1998) “Review: Surveys of Visual Paradigms
for New Media” Entopic Think Tank
Hopkins, Christopher (1997) “Creating Epiphanies: using
idiomatic sound structures in a composition for a hybrid
performance idiom.” 6th Biennial Art Technology Symposium
Connecticut College
