Visualizing Performance
1998 Banff Centre Residency
Aiming and Multi-Resolution
Haptics emerge according to a model based on performer movement: zoom-in, acuity of performer behavior, and simultaneous activity.
The visualization of haptic interfaces relies upon input visualized according to several key functions: vibration, snap (explosive) behavior, pulling attraction.raser University (Lecture)
1998 Simon Fraser University (Lecture)
I develop haptic interfaces for motion sensing according to human motor control and feedback. A distinctive logic appears:
Isolation of Articulatory Behavior
Zoom-In: Control Mechanism |Attack Envelope |Feedback Loop
Amplification Intangible Behavior
1995 National Superior Conservatory of Music France (Lecture)
Performer Model
Buzz Flute: A Technique without a Repertoire (1990-1996)
Buzzing is a technique which naturally lowers the range of a concert flute by three octaves.
The challenge in these buzz flute related projects was how to focus a technique without a repertoire. I have participated in collaborations with composers to create new musical compositions which combine computer graphics, electro-acoustics, and the buzz technique.
1996
Flute and its Application in Electroacoustic Music and Computer Music (Seminar) National Superior Conservatory of France Lyon
Inferno by Eric Lyon faculty at (Keio University)
Epiphanies by Christopher Hopkins Director Computer Music Studios at Syracuse University
1995
“No Accident” Short Film Soundtrack, PBS and French National TV
1994-1996
Montreal Buzz Portrait Gregory Garvey faculty Concordia U.
1994
Unexpected Reflection Emiliano del Cerro (Commissioned Spanish Ministry of Culture) Premiere Alicante New Music Festival
1993
M&T Studios (Milan) – Granular synthesis Buzz Flute and Hybrid Flute
Carnegie Mellon University – Research Fellow
Banff Centre for Art (Canada) – Special Focus Residency
1991-1993
Systematic Development of the Buzz
Notation
Isolation of Various Buzz Flute Effects:
Harmonic, Beating, Vocal-Tube Resonance, Pedal Tone